Icon Factory Dublin Interview With Aga Szot

 

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(c) Icon Factory Ltd / Icon Walk Ltd

All major cities have art museums. A large metropolis like Dublin is no exception, it has quite a few. But great art I find is always down at street level. Great nonprofit experiences like Dublin’s The Icon Walk/The Icon Factory represent great art. It’s art  that is alive and kinetic, even if it is a few static pieces. Color and subject can make it vibe. I love my mural walks and planned to tour this one next month. In preparation for my trip I contacted Aga Szot at The Icon Factory for a interview to share with you. I am hoping you can come take a stroll with us in Dublin on this fine walking experience. Stay tuned as I will visit and review the experience for you.

Come realize the power of art to help create a clean and safe Environment for all. Please visit their website and donate if you can to help keep this great experience going for all.

How did your museum get it’s start, and how have you seen it grow in the last five years?

Since its establishment The Icon Walk/The Icon Factory has become a highly rated tourists destination in international tour guides, rating higher than Dublin Castle & The Photographic Archive, and has received an endorsement by the UNESCO City of Literature office as an important site for the celebration of Irish literary talent and culture. We have been featured in many national newspapers, tourguides including the front page of the Arts and Culture page of the New York Times.

When we moved into Aston Place in 2010, the surrounding lane ways were in a sorry state, filthy and run down. It was an illegal dumping ground, a harbour for drug-taking,often used as a public toilet and a festering den of petty-criminality. We couldn’t believe that a half mile of lanes in the heart of Dublin’s business and tourist district would be allowed to fall into such a state of dilapidation. In 2010 we began work on the Icon Walk, a series of panels showcasing key Irish cultural icons also The Icon Factory Gallery when we show emerging artists work on a regular base. Once an area to be avoided, the lanes are now a mostly safe, vibrant destination for walking tours and average citizens, also more and more artists are taking part in exhibitions.

Our maintaining the area and preventing its reverting to its previous conditions is reflected by both increasing foot and online traffic. Google has reached out to us to inform us that 10,000 people a month see and search information about our project, check our activities and find us.

All our events are free created to encourage cultural activities for adults and children are fully booked every year. Aga’s Szot studio is one and unique life painting studio experimental installation in Dublin.

There are clear benefits in the increased number of artists, internship and volunteers taking part in the project. Every year the numbers of visitors increases daily, over 200% in 5 years, fourfold increase in tour groups. The Art Festival footfall increased 300% per day over previous years according to our visitor book. Our project encourages locals to care about the area their work.

Has there been anything surprising that happened that you just ran with in an opportunity to create an exhibit?

We now find ourselves playing the leading role in creating cultural & educational experience in Temple Bar including public art installations, art events and activities, keeping area safe and clean, making people feel respected and the area safe without as much as even one Euro of public money.

We were able to provide space to artist for their exhibitions, creations of new artworks for The Icon Walk, and create a Summer Cultural Festival in the lanes during which we opened the new sections to the public.

To this date we held exhibitions by over 50 artists over seven years. In many cases these have been the first exhibition by the artist. Unlike most galleries we do not charge for exhibition space. All we ask is for one image from the artist that we can use in our merchandise to help ‘keep the lights on’. We give facilities to artists to print and sell their works. We give advice and encouragement to the artist in planning their exhibition. We ensure that the money raised from sales goes back to the artist. In this regard we have become a hub for local talent.

What do you consider the most challenging part of running a museum of your kind?

The Icon Project is registered charity and fully based on volunteers. If the Icon Factory could survive on goodwill alone, then the future of the project would be secured for many years to come. We have had thousands of visitors through our doors over the past few years, all expressing admiration and enthusiasm for what we have accomplished but reluctant to give funds.

The Icon project fully depend on funding and every year our big challenge is to get funding for a basic running costs. Despite the previous  years supports Icon Factory received no funding for 2017.

After several years depending on once off funding we now recognise that the Icon Project needs a regular funding base and this is most challenging part for us.

What is the planning process for creating new exhibits? Do you have any behind the scenes video or articles that future visitors can look at?

We have a  good few short documentaries made about our project which you can check on the links below:
Is there a committee that decides to feature something or a finding that becomes available and you build around that? Or does the planning involve a specific structure?

Board members of registered charities are involved in application process for the exhibition. Artist are asked to provide their portfolio and cover letter. After positive application process artists meet with the members to discuss process of setting up the exhibition and work on the featured Icon which will be donated to The Icon Walk project.  

It’s the 2017 season coming and what are your plans for exhibits this coming year?

This year our exhibition season is planned on a monthly base case no funding crisis.

Do your exhibitions centre on the local only or do you have art and future or contemporary issues come into play occasionally?

All artists locals and international are welcome to apply for the exhibition at the gallery including different art disciplines starting from classical art, drawing, paintings, sculpturing, photography, installations and conceptual work.

It’s the 2017 season coming and what are your plans for exhibits this coming year?

At the moment The Icon Project is reviewing its financial situation and no further exhibitions are planned till the end of September.

The Icon Factory is located in the Temple Bar District of Dublin.

Location

The Icon Factory

Aston Place

Temple bar

Dublin 2

Ireland

iconfactorydublin@gmail.com

Opening Hours

Mon – Sun 11.00am – 6.00pm

For more information:

http://iconfactorydublin.ie/newsite/the-icon-walk/

https://www.facebook.com/TheIconFactory

Videos on Vimeo

Bob Geldof, Sinéad O’Connor and others https://vimeo.com/user33528482

https://vimeo.com/149507513

https://www.youtube.com/watch?v=XlNtSB20ENM

http://www.independent.ie/life/travel/travel-tv/travel-tv-is-temple-bar-a-lost-cause-or-has-it-finally-found-its-feet-31246089.html

http://www.irishtimes.com/culture/books/temple-bar-s-icon-walk-celebrates-irish-women-writers-1.2796989

https://www.youtube.com/watch?v=TTS8jAJkzH8

https://www.youtube.com/watch?v=FphoM7-UhHE

https://www.bing.com/videos/search?q=the+icon+factory+dublin&&view=detail&mid=805EAC64D1E20E701410805EAC64D1E20E701410&FORM=VRDGAR

https://www.bing.com/videos/search?q=the+icon+factory+dublin&&view=detail&mid=B181C7A4981BE19A84F8B181C7A4981BE19A84F8&FORM=VRDGAR

More:

Art Walks: Spring in the UK and Ireland

Science Gallery Dublin

 

 

EPIC Ireland: Immigrants Made America

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The Irish have been one of the largest contributors to American emigration in history. My ancestors came from this formidable force of people who came out of an amazing native land to our shores to find a better life. Countless Americans feel the pull to get in touch with their Irish ancestors and find out about their stories. Not everything was kept in parish records, making it hard on these shores to often find the truth of your family. There are family stories, and yes the Irish love their stories, and well, a grandiose telling is what’s needed, right? Don’t be surprised if the story you grew up on was not what really happened. Things get handed down and changed up in the telling, the story of your Great Great Gran may have had a harsh reality that was either embellished or downplayed, you never know.

Tracing your family roots can be fun, and yes when you actually get to the ancestral country, the native nod and go, “another seeker of the family soil”. That’s right, you are spotted coming in with that glazed over, “on the hunt for the ancestral home turf” look. You don’t need to start the convo you have with anyone with the, “ I researching my ancestors…”, they knew that before you walked up, saw you getting off the bus or out of the rail station. Depending on the country, and how you go about it and say it, they may embrace the fact you have come home, or not. The Irish always being a patient and loving people for the most part will be quite friendly, and if you just stand back and actually talk to people first, the easy conversation begins and is so much more enjoyable. Then you can make that connection you have been seeking for so long.

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Of course if you really want to get the story of the massive immigrations over the last 150 years or so, I can think of no better place to start than EPIC The Irish Emigration Museum in Dublin, Ireland. This museum is fully immersive and interactive, filled with themed galleries on the history of immigration from Ireland. Just think, over 10 million Irish have ventured into the world to help change it. Find out how all of it started. Check out our interview below to get some insight to this marvelous venue.

Opening Times

EPIC The Irish Emigration Museum

10:00 am – 6.45 pm
Last entry is 5.00 pm
Open 7 days a week

Check out some of the stories of Ireland’s Immigrants

When you are done with your EPIC journey, check out these nearby attractions:

Science Gallery Dublin

National Gallery of Dublin

Below is an interview with Nathan Mannion, Museum Curator

How did your museum get its start, and how have you seen it grow in the last five years?

The need for an Irish diaspora museum was confirmed following a state sponsored feasibility study conducted in 2013. However state funding for the project was axed in 2015 so the resultant museum would have to be a privately funded initiative. Neville Isdell, the former CEO of Coca Cola, himself a member of the Irish diaspora then stepped in and funded the project. The result was EPIC The Irish Emigration Museum which first opened on May 7th 2016. Since the time the museum has grown steadily both in terms of profile and visitor numbers.

Has there been anything surprising that happened that you just ran with in an opportunity to create an exhibit?

Yes, while attending the launch of a temporary exhibition on the Grey Nuns of Toronto and the Famine Irish at the Canadian embassy I began discussing the poignancy of the exhibit with its curators and the connections between parts of our own exhibition. They mentioned they were looking for a venue to exhibit in next and after a discussion with the museum’s board we agreed to host it. It is due to go on display in the next two months to commemorate the 170th anniversary of 1847.

What do you consider the most challenging part of running a museum of your kind?

EPIC isn’t your typical museum. Firstly we’re based entirely underground in a nearly 200 year old historic structure which presents its own challenges. Secondly we are a state-of-the-art digital museum, which means our narrative focuses on the stories of people rather than objects. The majority of our content is interactive so our visitors experience is very different than that of a traditional museum.  Getting people to reimagine what a museum is or can be is definitely one of our greatest challenges.

What is the planning process for creating new exhibits? Do you have any behind the scenes video or articles that future visitors can look at?

The museum has a very visitor focused approach to exhibiting. Currently we’re documenting and recording stories of emigration which have been donated to us with the intention of rotating our existing exhibitions in 2018. Visitors and stakeholders have been forwarding us biographies, interview transcripts and associated documentation relating to their own, their families or famous individuals’ stories of emigration over the last 10 months and the response has been fantastic.  All of this material will be proofed, researched and verified before we can shortlist material for our future exhibits but everything is currently being archived and may find additional uses as part of our education programme, temporary or travelling exhibits or as content for our online blog.

Is there a committee that decides to feature something or a finding that becomes available and you build around that? Or does the planning involve a specific structure?

The short answer is both. The museum curatorial team usually selects the themes around which we will focus for the coming year, potentially linking them to key anniversaries or commemorations of note in keeping with the museum narrative. However you always need to remain flexible and be able to quickly respond when opportunities present themselves.

It’s the 2017 season coming and what are your plans for exhibits this coming year?

For 2017 the museum plans to exhibit a number of temporary exhibitions alongside its existing long term exhibition. The first will be the ‘Saving the Famine Irish: The Grey Nuns of Toronto’ exhibit which highlights the remarkable stories of these charitable sisters who endangered their own lives to save those fleeing the Great Famine in Ireland. Subsequently EPIC will exhibit a temporary exhibition titled ‘Migrant Memories’. It has been designed by Irish school children as part of a competition run by the museum in a four part magazine series on Irish emigration featured in the Irish Independent.

Do your exhibitions centre on the local only or do you have art and future or contemporary issues come into play occasionally?

EPIC’s exhibitions, as you might imagine, have a global focus. We chart the journey of over 10 million Irish emigrants who left our island shores and highlight the impact they and their descents have had, and are still having, overseas. Emigration is of course a highly topical subject at the moment and the museum displays often sparks lively discussions between our patrons. We feel this is an important part of our role in society and by situating and sharing individual stories within the larger narrative of Irish emigration we help to raise awareness of this often little understood aspect of Irish history and contemporary affairs.

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The Science Gallery, Dublin Interview With Niamh O’Doherty

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Science and innovation type museums are in many large cities around the globe. Dublin, Ireland has the Science Gallery as a fantastic place for science exploration based in art and expression. There are Science Galleries in many cities, London, Melbourne and Venice. The The Science Gallery is unique in that it has an emphasis on the creative, art exploration for science topics. It’s not just a museum filled with and exhibit on computers for example, it’s exploding the computer into an art form or message. Science is open for debate here. I really love hands on or in your face experiences and I am looking forward to this one. I recently contacted Niamh O’Doherty at the Science Gallery to as a few questions about what they do there.

Hours: Please note that this is a gallery type setup. If they are in between shows, there will be down time for prep. Contact the galleries’ website to see if they have a show running

DoppelGänger at HUMANS NEED NOT APPLY

Dopplel Ganger at Science Gallery

Interview

How did your museum get its start, and how have you seen it grow in the last five years?

Back in 2008, a car park in a forgotten corner of Trinity College Dublin was transformed into a living experiment called Science Gallery Dublin. Through a cutting-edge programme that ignites creativity and discovery where science and art collide, Science Gallery Dublin is a nonprofit that encourages young people to learn through their interests. Since its opening, over 2.5 million visitors to the gallery have experienced more than 38 unique exhibitions, ranging from living art experiments to materials science and from the future of the human race to the future of play. Science Gallery Dublin develops an ever-changing programme of exhibitions and events fuelled by the expertise of scientists, researchers, students, artists, designers, inventors, creative thinkers and entrepreneurs. The focus is on providing programmes and experiences that allow visitors to participate and facilitate social connections, always providing an element of surprise.

Has there been anything surprising that happened that you just ran with in an opportunity to create an exhibit?

We’re a living lab, so occasionally experiments do misbehave. Memorably, last year during Field Test, we had to shut down one of the experiments because of a blood-sucking fungus – here’s more info about that on our blog. We also host reactive events and talks based on big topics in the news, from AI to politics.

What is the planning process for creating new exhibits? Do you have any behind the scenes video or articles that future visitors can look at?

We work with a selection of guest curators on each exhibition – they could come from very diverse backgrounds in academics, business and the arts. We also host videos describing the themes of our exhibitions on our YouTube channel here, and you can check out our blog here for some more background on how the exhibitions develop and progress.

It’s the 2017 season coming and what are your plans for exhibits this coming year?

Yes, we’ve got all the details about our 2017 programme online here. We’ve recently closed the open call for our SOUND CHECK summer exhibition, and we’ll be launching the open call for IN CASE OF EMERGENCY… very soon.

Do your exhibitions centre on the local only or do you have art and future or contemporary issues come into play occasionally?

We’re part of the Science Gallery International Network, so we do tour our exhibitions, and our open calls generally attract artists, makers, researchers and scientists from around the world – here’s a few global highlights from last year.

Stony 1.0 at at HUMANS NEED NOT APPLY

Stony 1.0